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DTSTART;TZID=America/Phoenix:20251012T190000
DTEND;TZID=America/Phoenix:20251012T203000
DTSTAMP:20260407T104348
CREATED:20250806T172118Z
LAST-MODIFIED:20250808T230144Z
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SUMMARY:Colored Lights
DESCRIPTION:Step right up to an unforgettable evening of song\, dance\, and wonderment at this carnival inspired concert!  Nicole Larsen\, international performer and Arizona Opera Ambassador\, presents her most intimate show yet. Through selected songs from the operatic and musical theater repertoire\, she weaves a tale which tells the personal journey of chasing dreams\, getting caught up in this world and what is has to offer\, getting pulled down by lies and enticements only to realize her soul longed for something more.  Vulnerable and engaging\, Nicole will challenge and encourage you on your own life journey.   \n\n\n\nJoining forces is Dr. Klara Kukumi – one of Arizona’s premier collaborative pianists.  Born and raised in Albania\, Klara graduated with her bachelor’s degree from the Institute of Fine Arts in Tirana\, and furthered her musical education by earning a master’s degree from Brigham Young University\, a diploma of pianist studies from the University of Southern California\, and a doctorate from Arizona State University.  Nicole is so happy for the continued friendship and collaboration with Dr Kukumi.  Her passion and artistry are sure to leave you inspired! \n\n\n\nSharing the stage is world class tenor\, Javier Gonzalez.  He is recognized for the “precision and soaring beauty of his tone\,” and has been described by music critic and composer Daniel S. Crafts as a “…bold arresting tenor… with a shining lyricism.”  Having studied under such singers as Medea Namoradze-Ruhadze\, noted Georgian soprano\, and under Professor Leslie Umphrey at the University of New Mexico\, he has performed in concert and opera productions playing the roles of Javier in Luisa Fernanda\, Tamino in Die Zauberflöte\, Canio in I’Pagliacci\, Pinkerton in Madama Butterfly\, Don Jose in Bizet’s Carmen\, Edgar in Puccini’s Edgar\, Roberto in Puccini’s Le Villi\, and Opera Southwest’s revival debut of Franco Faccio’s Amleto playing the role of Laerte.  Notably\, Mr. Gonzalez has performed with world-renowned tenor Placido Domingo on the Kennedy Center opera stage and has also performed on the stage of Carnegie Hall in New York City under the baton of world-renowned composer John Rutter. \n\n\n\nJoin us for an experience you’ll never forget!  With special guests Christal Roundtree\, Molly Sunderhaus\, and Vivian Aldrete\, this stupendous cast is sure to delight the senses and awaken the soul.  There is something for everyone to enjoy!  With one night only\, you won’t want to miss this once in a lifetime event!
URL:https://asukerr.com/event/colored-lights/
CATEGORIES:Other Presenters
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DTSTART;TZID=America/Phoenix:20251017T200000
DTEND;TZID=America/Phoenix:20251017T213000
DTSTAMP:20260407T104348
CREATED:20250805T190430Z
LAST-MODIFIED:20250805T190432Z
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SUMMARY:MOHSEN NAMJOO LIVE IN SCOTSDALE / SOLO PERFORMANCE & MINOOOR
DESCRIPTION:Mohsen Namjoo\, singer songwriter\, music scholar and Setar player who seamlessly blends classical Persian music with electric guitar\, Rock and the Blues will perform on October 17th at ASU Kerr\, Scottsdale AZ. \n\n\n\nThis evening will showcase Mohsen Namjoo’s musical prowess\, beginning with a solo performance from his new ‘Minooor’ project\, followed by another solo set after a short intermission. \n\n\n\nThe new “Minooor” Project starts the first part of the program which features a solo performance by Mohsen Namjoo\, with videos playing in the background accompanying the performance as an audio/visual journey through a small segment of contemporary Iranian history. Essentially\, Namjoo invites us to revisit our auditory and visual memories and recall the sounds that permeated lives in the 1980s. \n\n\n\nGeneral Admission seating is first come\, first served. \n\n\n\nNOTE: Organizer has the right to refuse service or suspend or revoke access privileges to any guest who is not following rules\, unreasonably rowdy or disturbing the use and enjoyment of others\, including Artists staff and volunteers. \n\n\n\nALL SALES ARE FINAL\, NO REFUNDS WILL BE ISSUED!
URL:https://asukerr.com/event/mohsen-namjoo/
CATEGORIES:Other Presenters
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DTSTART;TZID=America/Phoenix:20251218T190000
DTEND;TZID=America/Phoenix:20251218T210000
DTSTAMP:20260407T104348
CREATED:20251031T223120Z
LAST-MODIFIED:20251106T203833Z
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SUMMARY:A Winter's Eve with David Arkenstone and Friends
DESCRIPTION:Five-time GRAMMY nominated composer and multi-instrumentalist David Arkenstone returns this holiday season with A Winter’s Eve with David Arkenstone and Friends\, his ever-popular concerts that fill audiences with joy and the holiday spirit. On stage\, David and his talented ensemble ignite the season with beloved holiday classics reimagined\, lively seasonal originals\, and surprises that get audiencesclapping and celebrating together.  \n\n\n\n \n\n\n\nThe 16-date run brings a vibrant musical blend of neo-classical crossover\, new age\, Celtic\, orchestral\, and world music to performing arts centers and intimate venues across the US. David Arkenstone’s performances feature a wide array of instruments: guitars\, keyboards\, flutes\, violin\, cello\, mandolin\, bass\, viola\, drums\, and percussion\, brought to life by his band of virtuoso musicians\, who infuse every candlelit stage with spirited\, festive energy.
URL:https://asukerr.com/event/a-winters-eve-with-david-arkenstone-and-friends-2/
CATEGORIES:Other Presenters
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DTSTART;TZID=America/Phoenix:20260109T193000
DTEND;TZID=America/Phoenix:20260109T213000
DTSTAMP:20260407T104348
CREATED:20251105T223750Z
LAST-MODIFIED:20251111T190103Z
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SUMMARY:The Yale Whiffenpoofs
DESCRIPTION:The Whiffenpoofs of 2026 are incredibly excited to perform at ASU Kerr\, singing a mix of classic and contemporary favorites! This concert kicks off their tour of Phoenix\, Arizona\, the hometown of current member Lucas Oland. Every year\, 14 senior Yale students are selected to be in the Whiffenpoofs\, the world’s oldest and best-known collegiate a cappella group. Founded in 1909\, the Whiffs began as a senior quartet that met weekly at Mory’s Temple Bar. Today\, the group has become one of Yale’s most celebrated traditions. Singing a mixture of old Yale tunes\, jazz standards\, and other hits from across the decades\, the Whiffenpoofs perform more than 200 concerts across six continents each year. In past years\, the Whiffs have sung for Presidents Obama\, Bush\, Clinton and Reagan\, and at venues including Carnegie Hall\, Lincoln Center and the Kennedy Center. They’ve even been featured on television shows such as The Sing Off\, The West Wing\, and Glee.
URL:https://asukerr.com/event/the-yale-whiffenpoofs/
CATEGORIES:Other Presenters
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DTSTART;TZID=America/Phoenix:20260329T150000
DTEND;TZID=America/Phoenix:20260329T170000
DTSTAMP:20260407T104348
CREATED:20260306T214053Z
LAST-MODIFIED:20260328T005801Z
UID:10000289-1774796400-1774803600@asukerr.com
SUMMARY:Phoenix Magic Club: An Afternoon of Magic
DESCRIPTION:Phoenix Magic Club Presents: An Afternoon of Magic \n\n\n\nJoin us for a fun\, family-friendly afternoon of live magic on Sunday\, March 29 at 3:00 PM!  \n\n\n\nMembers of the Phoenix Magic Club will take the stage to share an exciting variety of magical performances—from sleight-of-hand and mind-reading to visual illusions and comedy magic. This clean\, high-energy show is designed for audiences of all ages and is a perfect outing for families\, friends and anyone who enjoys a little wonder.  \n\n\n\nCome experience the mystery and laughter that happens when some of the Valley’s most passionate magicians gather to perform live.
URL:https://asukerr.com/event/phoenix-magic-club-magic-show/
CATEGORIES:Other Presenters
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DTSTART;TZID=America/Phoenix:20260418T150000
DTEND;TZID=America/Phoenix:20260418T164500
DTSTAMP:20260407T104348
CREATED:20260128T234343Z
LAST-MODIFIED:20260328T005733Z
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SUMMARY:Executive Piano Series presents: Fanya Lin in concert
DESCRIPTION:Described as a “striking interpreter” who gives a “committed and heartfelt performance” by Musical America and The New York Times\, Steinway Artist Fanya Lin has entranced audiences worldwide with her charismatic and fiery performances. Her orchestral appearances include the Royal Philharmonic Orchestra (UK)\, Toruń Symphony (Poland)\, Orquestra Sinfônica do Rio Grande do Norte (Brazil)\, New Art Symphony (Taiwan)\, Hiroshima Tafel Orchestra (Japan)\, Flagstaff Symphony (US)\, among others. Her concerto album Rhapsodic featuring Gershwin’s Rhapsody in Blue and Rachmaninoff’s Rhapsody on a Theme of Paganini with Maestro Theodore Kuchar and the Lublin Philharmonic was selected as Textura’s “Top 20 Classical Picks” and won 2nd Prize for the Petrichor Records’ Best Album Award in 2024. \n\n\n\nLin’s upcoming recital titled Metamorphosis features the thematic variations and transformation in piano repertoire\, including Johannes Brahms’s Chorale Prelude Op. 122 No. 10; Taiwanese composer Yi-Chih Lu’s Dark Sky; three preludes from polish composer Karol Szymanowski’s Op. 1; Bach-Busoni Chaconne in D minor; and the monumental B minor sonata composed by Franz Liszt. \n\n\n\nThe Metamorphosis program opens with Johannes Brahms’s Chorale Prelude Op. 122 No. 10\, Herzlich tut mich verlangen\, transcribed by pianist Ferruccio Busoni. Originally composed during the last year of Brahms’s life in 1897\, the Eleven Chorale Preludes are among his most intimate works. Written for organ\, they distill a lifetime of compositional mastery into music of quiet gravity and spiritual depth. Herzlich tut mich verlangen (“My heart is filled with longing”) is a meditation on sorrow\, consolation and faith. They were written during Brahms’ visit to Ischl\, where Brahms had vacationed annually from 1889\, but his final visit was clouded by Clara Schumann’s recent death in May 1896\, as well as Brahms’ own health battle with liver cancer.   \n\n\n\nFrom the last note of Herzlich tut mich verlangen\, we dive into a completely different world constructed by Taiwanese composer\, Yi-Chih Lu\, threaded by the same key and the ending and opening notes of the two pieces. The thematic material of Dark Sky was drawn from the Taiwanese folk tune with the same title\, depicting the subtropical rainy season of Taiwan\, the fisherman’s anxiety toward the bad weather and the quarrel between an old couple. In Yi-Chih Lu’s transcription of Dark Sky\, the thematic material was mingled with Prokofiev’s rhythm\, a vintage form of fugue and the Rachmaninoff ending. \n\n\n\nKarol Szymanowski (1882–1937) stands as one of the most significant Polish composers of the 20th century\, reflecting the major musical currents of his time. Initially influenced by Chopin and Wagner\, his music draws from a wide range of inspirations of European traditions\, while incorporating exotic elements of Oriental culture. Closely connected to the piano throughout his life\, Szymanowski composed for the instrument from his earliest years to his final works. Although many early piano pieces have been lost\, he emerged at age eighteen with the Nine Preludes\, a work that immediately impressed audiences and critics. Shaped by Chopin’s models yet infused with intense youthful emotionalism\, the Preludes reveal Szymanowski’s distinctive voice through rich harmonic language\, polyrhythms and emotionally charged climaxes that already anticipate the innovations of Scriabin. The three preludes selected today are in B minor and D minor\, foreshadowing the remained two pieces in the program. \n\n\n\nThe first half of the concert comes to an end with the return of yet another transcription of Busoni. Ferrucio Busoni displayed a passion for Bach at an early age. He made an exhaustive study of Bach’s music and throughout his adult life worked tirelessly at editing and making transcriptions of works by the Baroque master. The transcription of Chaconne from Bach’s Partita No. 2 for solo violin was made sometime in the late 1890s and was dedicated to the pianist Eugene d’Albert; Busoni himself played it frequently on his own blazingly brilliant recitals. The Chaconne was originally the final movement of the Bach’s Violin Partita No.2\, a set of more than 60 variations on a simple bass theme. Busoni tried to remain as close to the original as possible while adapting the music to suit the technical possibilities of the piano. Sound wise\, he sometimes oriented himself on orchestral colours or organ registers\, which echoes with the transcription of Brahms’ Eleven Chorale Preludes originally written for Organs. \n\n\n\nFranz Liszt’s Sonata in B minor (1853) stands as one of the most groundbreaking works of the nineteenth-century piano repertoire\, redefining large-scale musical form through unity and thematic transformation. Cast in a single continuous movement of approximately thirty minutes\, the sonata encompasses the expressive and structural functions of a traditional sonata-allegro form\, while integrating a group of motives introduced at the opening that unfolds throughout the entire composition. Structurally\, the sonata begins with a dark\, ominous introduction that leads into an expansive exposition\, while the same violent theme then turns into the most beautiful\, tender and surreal second thematic area. The middle section of Andante sostenuto and Quasi Adagio can be regarded as the development or the 3rd movement of a five-movement work\, then to return to the Fugue in Allegro energico. The second thematic area then comes back in a different key. The piece finally ends with the return of the slow development section\, contrary to Liszt’s traditional loud and explosive endings\, the sonata shares the reflective and introspective atmosphere as if paying a tribute to Beethoven’s late period work or Schumann’s Op. 17. \n\n\n\nFor more information:https://executivepianoseries.com
URL:https://asukerr.com/event/executive-piano-series-presents-fanya-lin-in-concert/
CATEGORIES:Other Presenters
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